What was yess biggest hit

Starship Troope r — I wore the record out. I think that has something to do with our ancient evolvement as human beings. I know that whenever I sing that — and I sing that at every show — I'm always thinking about my family, my connection with the royal family, the oneness of being.

Fragile was the album that helped Yes break out on the international stage, particularly in the US, and its torch-bearing herald was the magnificent Roundabout. Steve Howe and Jon Anderson started writing Roundabout whilst on tour in Scotland, sitting in a hotel room.

We got to places. People sat by the pool. We did those exchanges in our music, and lyrically as well. With his usual unerring precision, Bill Bruford hit the nail on the head last year when speaking to Rolling Stone. That seemed to have it all. That was a shorter version of what was to become Close to the Edge. Those opening salvos — tattoos of bass, guitar and snare in relentless lock-step — hurtle towards you like a juggernaut, harking back to the brain and brawn of King Crimson, or to the fizzing intensity of The Who or Cream in their pomp.

We just wrote, and the music became about that. Wakeman was the new boy on Fragile , having replaced the apparently synth-sceptical Tony Kaye, and makes his nimble presence quickly felt, notably on the noodly back-and-forth of the mid-section. He has recalled going along for an early rehearsal and the band assembling Roundabout and a large part of Sunrise too. A live staple and fan favourite, Heart Of The Sunrise really does have it all.

And You And I keeps the momentum and magic flowing, shaping into a ten-minute, four-movement rock opera. Implausibly, an edit, snipped halfway, was a Top 50 single in the US. This was also, he said, the name of his typewriter.

Other sly, oblique references to Yes are scattered throughout lifelong fan Whedon's work. While the recording sessions at Advision Studios were reportedly stressful, with Bill Bruford driven to distraction, what ultimately emerged was serene. Led by Anderson and Howe, the band created the album commonly perceived as their masterpiece. The individual talents of Steve Howe, Rick Wakeman, Chris Squire, Jon Anderson, Bill Bruford, and other great players like Trevor Rabin, Alan White and numerous other members have always somehow managed to achieve a "whole is even greater than the sum of their parts" goal on their best songs.

Music videos and audio videos are included next to each track name, so if you haven't heard a song you can listen to it right here on this page. Is one of your favorite Yes songs missing from this poll? Add it to the list so it has a chance to rise to the top. If the order of this list bothers you, then stand up and take control by creating your own version and re-ranking it.

Simply click the "Rerank List" button and you can put the songs in whatever order you like. Close to the Edge I. Seasons of Man. Heart of the Sunrise. And You and I I. Cord of Life, II. Eclipse, III. The Preacher the Teacher, IV. I've Seen All Good People. Yours Is No Disgrace. South Side of the Sky.

Starship Trooper. Siberian Khatru. Long Distance Runaround. Starship Trooper: a. We've sifted through the results and compiled a Top 40 which is in the current issue of Prog , on sale now. Jon Anderson wanted "a calm sea of music" for side two of …Topographic Oceans, according to band biographer Tim Morse. But nothing ever turned out so simple with this band. Live, the track was a platform for Squire to stretch out with an extended solo, fine examples of which can be found on Yessongs and Live At Montreux.

The Ladder saw Yes working with producer Bruce Fairbairn, who brought much of the warmth and ambition of their classic 70s albums back to the music, evidenced in the grand scale of Homeworld. It is still, to coin a phrase, progressive. Four years separated Big Generator from and the album had a difficult gestation that saw the band switching studios, countries, and producers before it was finished.

Howe demonstrates some Flamenco-style strumming, and that rangy left hand of his fingers an ornate, baroque melody harking back to Bach.